What happens when you want to jam with someone who lives half the world away? This project builds upon our previous experience of telematic music practice spanning several years. Our paths have crossed during the COVID-19 pandemic, and we’ve stepped onto a fresh path of contributing our skills and ideas to develop a practice that involves Digital Musical Instruments (DMIs); balancing In-Real-Life (IRL) and virtual presence; scenographies that are adapted to the hybrid reality; and relationship with the audiences. By choosing remote musical practice utilizing DMIs, we have embraced the fact that we need to question and challenge various aspects of the traditional musical practice. These include: social dynamics and logistics surrounding rehearsals and public performances, cultural identity, notions of virtuosity, digital ecosystems. We propose a live comprovisation built around a sonic and lighting conversation, enabled by telematic/telepresence/teleperformance technologies.

This performance could be presented in one of the following configurtations:

• Both artists in-real-life (IRL)
• One artist IRL, the other remote
• Both artists remote

• SPAM Festival - Seattle <2024-09-28 Sat>
• IS2 - Germany <2024-09-30 Mon>
• ACMC - Australia October 22-23 2024
• NowNet Arts (NYC) November 9 2024

• NowNet Arts (Singapore)
• AJIRN 2024